E1.8K PROPOSED FOR DJS’ COPYRIGHT LICENCE

MBABANE - The Eswatini Copyright and Neighbouring Rights Society (ESWACOS) has proposed that DJs pay E1 800 per annum as part of royalties. This annual fee covers DJs who play frequently through the year while E400 per event fee covers DJs who play occasionally or in some instances international DJs who are in the country to play at a certain event, as explained by ESWACOS Executive Director Mmeli Hlanze during the recent Eswatini Arts Summit. In an exclusive interview with Hlanze, he emphasised that DJs must obtain a licence to play copyright-protected music in public spaces.

“Without the licence, DJs would be infringing on the rights of songwriters, producers and record labels regarding public performance, which is clearly articulated under Section 60 of the Copyright and Neighbouring Rights Act,” Hlanze stated. ESWACOS serves as an umbrella of the Collective Management Organisation (CMO) in Eswatini, dedicated to safeguarding and advancing the economic rights of copyright holders across various creative industries.

Compensation

The Copyright and Neighbouring Rights Act, Act No. 4 of 2018, establishes ESWACOS as the sole body responsible for collectively managing copyright and neighbouring rights in Eswatini. The organisation is mandated to collect and distribute royalties, ensuring that creators receive fair compensation for the use of their works. A music use licence for DJs is a legal agreement that grants them permission to play specific tracks in public settings. This licence guarantees that the artists and copyright holders receive royalties for the use of their music. It encompasses various scenarios including live performances, streaming and public broadcasts. Without this licence, DJs risk violating copyright laws, which can result in penalties or

Imprisonment.

The introduction of the E1 800 annual fee aims to provide DJs in Eswatini with a clear framework for compliance with copyright laws. It also seeks to educate DJs on the importance of respecting the intellectual property of artists. By obtaining the necessary licences, DJs contribute to a sustainable music industry that rewards creators for their hard work and innovation.
Hlanze noted that many DJs in Eswatini have been operating without the appropriate licences, putting themselves at risk of legal action. The newly-proposed fee structure offers a straightforward option for DJs to operate legally and responsibly. This initiative is a proactive step towards fostering a culture of compliance and respect for intellectual property rights within the vibrant Eswatini music scene.

DJs play a crucial role in entertaining audiences at various events, including weddings, parties and corporate functions. Their ability to curate and mix music not only enhances the experience for attendees but also drives demand for music within the local industry. It is essential for DJs to acknowledge that their performances directly utilise the creative outputs of others, which is why the move to introduce an annual licence is significant.

Initiatives

In addition to the financial responsibilities of obtaining a licence, the educational aspect cannot be overlooked. ESWACOS plans to roll out workshops and informational sessions to assist DJs in understanding the nuances of copyright law and the importance of licensing. These initiatives aim to empower DJs with the knowledge they need to protect themselves and the artists whose music they play. Furthermore, with the rise of digital platforms and streaming services, the landscape for DJs is evolving rapidly. As they navigate new opportunities for sharing music and building their brands, understanding and complying with copyright rules becomes ever more pertinent.

The proposed licence structure not only allows DJs to continue their work legally but also fosters a sense of community where artists and DJs work together for mutual benefit. It is crucial to view this licensing fee as an investment in their profession. By adhering to copyright regulations, DJs can avoid costly legal battles and build a reputation as responsible professionals within the industry. Hip Hop sensantion Bandora Da DJ weighed in on the matter, citing the money is too much.

“We have different hustles, and it’s a win, lose for some, as everyone is trying to climb the ladder. It’s insane to pay that amount of money, whereas we’re not getting any assistance for bookings,” he said. Another DJ who is also a producer by the name of Da Coolest DJ, frowned upon the proposed licence fee, citing event promoters are not giving them enough. “It is not easy to get bookings in the country, it has become a habit for local promoters not to pay DJs accordingly, I feel for a start, E1 800 is way too much because promoters pay very little amounts,” he said.

Bounds

The suggested E1 800 fee for an annual DJ licence represents a vital development for Eswatini’s music industry. It highlights the necessity for DJs to operate within the bounds of copyright laws while offering support to local artists. As this initiative takes shape, it promises to create a more sustainable and respectful environment for music creators and DJs alike, ultimately benefitting the rich cultural tapestry of Eswatini’s vibrant music scene.

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