Nobuhle Precious Mavuso, widely known as Make Buhle Gee, stands as evidence to resilience, faith and purpose. A native of Eswatini, she has dedicated her life to her family, her professional calling as a social worker and her ministry as a Gospel music artist. Her journey from humble beginnings to a respected voice in Eswatini Gospel music reflects a deep commitment to serving God and uplifting her community.
Her early years were marked by simple moments that laid the groundwork for her character. Raised initially by both parents, her childhood shifted when her parents divorced.
The resulting family friction introduced financial strains and maintenance challenges. Despite these tribulations, her mother and maternal relatives rallied to ensure her education remained a priority.
She attended Ngwane Park Primary School before completing her secondary education at Masundvwini High School. Determined to rewrite her story, she pursued her Matric in South Africa, earning her National Senior Certificate.
Her academic journey reached a pivotal milestone when she enrolled at the University of Pretoria. Between 2012 and 2015, she worked diligently to earn an Honours Degree in Social Work. Returning to Eswatini, she secured a position as a public servant, a role in which she has served with dedication for 10 years.
While her career in social work allowed her to address societal needs directly, her spiritual life and passion for music grew alongside it. Her biological father, an avid football enthusiast, nurtured her early love for melody through his daily routine of playing music at home.
Her mother provided the spiritual foundation, ensuring church attendance, Sunday school participation and early morning devotions. Embracing her faith as a teenager provided her with an anchor through every season of life.
Over time, singing evolved from a personal outlet into a ministry. For Mavuso, music is a vehicle for healing, deliverance and spiritual expression. Her ambition extends beyond vocal arrangements or pleasing melodies; she seeks to create an atmosphere of worship that conveys a message of hope.
Offstage, she balances her ministry with her role as a wife to a supportive husband who actively encourages her vision. She is also a mother to two biological children and considers herself a guardian to countless young people across Eswatini.
Her professional experience as a social worker reinforces her belief in the potential of youth, particularly those from vulnerable backgrounds. Drawing inspiration from 1 John 2:14, she views young people as strong agents of change who can transform their generation when provided with guidance and support.
Her philosophy remains grounded in the traditional siSwati proverb ‘Umuntfu ngumuntfu ngebantfu’, I am because you are. Guided by the wisdom of community elders, she emphasises humility, respect and gratitude for those who supported her development.
Representing the Kingdom of Eswatini on global platforms is a responsibility she accepts with reverence. She aims to demonstrate that world-class Gospel music can originate from Eswatini without compromising sacred values or cultural identity.
She frequently addresses the misconception that artists from smaller nations lack technical capability or artistic depth. Eswatini boasts skilled producers, pristine studio output and disciplined vocalists capable of commanding international stages. “Life experiences themselves have shaped my music. The joys, challenges, lessons and seasons I have gone through have all influenced the person and artist I am becoming,” she said.
She pays tribute to the pioneers of Eswatini Gospel music who forged a path under challenging conditions. “There are a few names that I would love to honour as they have paved a way for us in the industry, we surely stand in the broad shoulders of extraordinary Eswatini gospel pioneers who sacrificed so much to build the foundation of the industry. These gospel pioneers have taught us how to carry the gospel with dignity, excellence and unapologetic Swati identity,” she said.
Figures such as Ncandweni Christ Ambassadors, Sipho ‘Bigfish’ Makhabane, the Swazi Gospel Singers and the Manzini Crusade established the foundation for contemporary artists. Subsequent figures, including Nduduzo Matse, Nothando Hlophe, Nothando Dlamini, Sphiwo Ndoni and Fakazi Samuel, carried the music across borders.
Mavuso sees it as her generation’s responsibility to build upon this legacy and bring Eswatini gospel music to a global audience. “Young people have a special place in my heart, I believe they have the ability to achieve anything they desire and want if they put their mind on it, through commitment and determination,” she said.
Among her personal favourites in her repertoire is the song ‘Akahlulwa Lutfo Jesu’, a declarative anthem reminding listeners that nothing is impossible with God.
Drawing strength from Daniel 11:32, she believes in executing great exploits through faith.
Looking forward, Mavuso is preparing for the live recording of her upcoming album, ‘FOR HIS GLORY’, scheduled for October 10, 2026 at the FEA Zakhele Old Auditorium in Manzini. Beginning at 6pm, the evening will feature twelve tracks blending traditional and contemporary gospel music tailored for a diverse audience.
Speaking about the inspiration behind the project, Mavuso shared the heart of the album: “We chose the name because it represents the purpose behind the entire project.
“As artists and as people, we have different gifts and talents, but ultimately those gifts are meant to point people back to God. So when people hear the music, when they watch the recording and when they attend the event, our prayer is that they will see beyond the artist and experience something that gives glory to God,” said the musician.
The album highlights specific themes of adoration and grace. Tracks such as ‘Only You Are Wonderful’, ‘Marvellous’ celebrate the sovereignty of God, while ‘Umusa Nothando Wanele Bonkhe Abantu Sibonga iCalvary’ emphasises the universal availability of divine grace regardless of social standing.
Mavuso attributes her ministry’s impact to her reliance on the Holy Spirit, empathy for her listeners and personal determination.
While acknowledging a tendency towards perfectionism, she views growth as a continuous process that requires patience and self-compassion. Her sound remains deeply rooted in her faith, enriched by local culture and personal life experiences.
